Comentario sobre Cantar de los Cantares 3:14
Rashi on Song of Songs
On my bed at night. In my distress, when I lived in the darkness1The Bnei Yisroel were left in darkness after the Clouds of Glory had withdrawn from them and the holy crown that had been given to them at Mt. Sinai was taken away. (Targum) for the entire thirty-eight years2After the sin of the spies it was declared that the Bnei Yisroel would wander in the wilderness for forty years. Since two years had already past, they had to wander for another thirty-eight years and during this time the Divine Presence was hidden from them. that the [Bnei] Yisroel were under reproach.
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Ezra ben Solomon on Song of Songs
Upon my couch: “Couch” refers to Israel’s forty year sojourn in the wilderness, when they were denied permission to enter the land of Israel.
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Rashi on Song of Songs
I sought him but did not find him. “For I will not go up in your midst,”3Shemos 33:3. This was on account of the golden calf. [and] “for I am not in your midst.”4Devarim 1:42. This was on account of the spies.
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Ezra ben Solomon on Song of Songs
At night: When Israel was in trouble, distress, and darkness.
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Ezra ben Solomon on Song of Songs
I sought: Israel said: “I have repented in order that the Glory might return to me as at the beginning.”
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Ezra ben Solomon on Song of Songs
I sought him but found him not: Throughout those forty years, the shekhinah had departed and prophecy had ceased. As it is written: “When all the warriors among the people had died off, the Lord spoke to me, saying …” [Deut. 2:16–17]. To me was the Word. This reveals that Moses had not prophesied until this moment.
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Rashi on Song of Songs
I will rise now ... I will seek. “And Moshe prayed,”5Shemos 32:11. [and] “I will go up to the Adonoy.”6Ibid. 32:30.
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Ezra ben Solomon on Song of Songs
I must rise and roam the town: Israel adds further, saying: “I engaged in many supplications and circumambulated the Throne of Glory, but to no avail.”
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Rashi on Song of Songs
The watchmen found me. Moshe and Aharon.7They guarded the Bnei Yisroel from sin during the Egyptian exile. Also in reference to Ezra and Nechemyah who watched over the Bnei Yisroel during the exile of Bavel. (Alshich)
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Ezra ben Solomon on Song of Songs
I met the watchmen who patrol the town: These are Moses and Aaron, engaged in holy service, as it is written: “You and your sons shall take care in performing your priestly duties in everything pertaining to the altar” [Num. 18:7]. I asked them: “Have you seen the one I love?”
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Rashi on Song of Songs
Him whom my soul loves, have you seen him. What [message] did you find in His mouth?
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Rashi on Song of Songs
Scarcely had I departed from them. Shortly after their parting from me,8I.e., shortly after the deaths of Moshe and Aharon. at the end of the forty years.
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Ezra ben Solomon on Song of Songs
Scarcely had I passed them: When Moses died I departed from them until I found Joshua. As it is written: “After the death of Moses, the servant of God, the Lord said to Joshua” [Josh. 1:1] and it says: “Now, cross this river Jordan” [Josh. 1:2].
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Rashi on Song of Songs
When I found. That He was with me in the days of Yehoshua to conquer the thirty-one kings.
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Ezra ben Solomon on Song of Songs
I held him fast, I would not let him go: A parabolic metaphor, indicating that I (Israel) did not stumble in sin until I entered the land during the days of Joshua.
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Rashi on Song of Songs
I grasped him and would not let him go. I did not loosen my grasp on Him until I brought Him to the Tabernacle at Shiloh because of all this that He had done for me.
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Ezra ben Solomon on Song of Songs
To my mother’s house: This is Jerusalem, “within which Righteousness resides” [Isa. 1:21].83Righteousness [tzedek] symbolizes the shekhinah.
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Ezra ben Solomon on Song of Songs
To the chamber of her who conceived me: This is the Temple.
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Rashi on Song of Songs
I bind you under oath. The nations, while I was exiled among you.
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Ezra ben Solomon on Song of Songs
I adjure you, O maidens of Jerusalem: Since I stand in glory and a lofty state, take care that you not sin and cause the departure of the Glory.
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Rashi on Song of Songs
That you do not cause hatred nor disturb the love of my beloved from me through seduction or enticement, to forsake him and to turn away from following him.
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Rashi on Song of Songs
While it still pleases. As long as I still desire his love.
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Rashi on Song of Songs
Who is this ascending from the wilderness. When I was traveling in the wilderness and the pillar of fire and the cloud were going before me, killing snakes and scorpions and burning the thorns and thistles to make a straight path, and [when] the cloud and the smoke were ascending, the nations saw them, and marveled at my greatness, and they would say, “Who is this?” i.e., “How great is she [Bnei Yisroel] who is ascending from the wilderness, etc.!”
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Ezra ben Solomon on Song of Songs
Who is she who comes up from the desert like columns of smoke: When journeying before the Israelite camp, the shekhinah seemed like a column of smoke, rising upwards and ascending. The verse states “smoke” for she is derived from fire, as it is written: “Now Mount Sinai was all in smoke, for the Lord had come down upon it in fire, the smoke rose like the smoke of a kiln” [Exod. 19:18]. The shekhinah receives her emanative energy primarily from the left side, from darkness.84“Darkness” and “fire” here refer to din, the force of divine judgment. Darkness is elemental fire, as it says concerning it: “Let me not see this great fire anymore, lest I die” [Deut. 18:16]. And it says: “When you heard the voice from amidst the darkness” [Deut. 5:19].
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Rashi on Song of Songs
With palm-like pillars of smoke. Tall and erect as a palm tree [=תָּמָר.
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Ezra ben Solomon on Song of Songs
Perfumed with clouds of myrrh and frankincense: The verse states “perfumed” for she is energized through her reception of emanative energy from the other sefirot. Myrrh and frankincense are visual polarities, myrrh being red, frankincense white.85Red=din; white=ḥesed or divine love. Attend and carefully contemplate the wonders of this parabolic image. It refers to the two cherubim, the world’s fathers. She is situated and receives emanation from both of them.
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Rashi on Song of Songs
In a cloud of myrrh. [It is so called] because the cloud of incense which would rise straight up from the inner altar.
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Ezra ben Solomon on Song of Songs
With all of the powders of the merchant: The verse says that while all this is true, she includes all of the other spiritual entities and is sealed with them all. To this point we have the enquiry of the questioner, the order of the sefirotic entities, and an account of their likeness.
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Rashi on Song of Songs
Perfume seller. A spice merchant who sells all types of spices.
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Rashi on Song of Songs
Powders. [It is so called] because they crush it and pound it [until it becomes] as fine as dust.
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Rashi on Song of Songs
Behold the bed of Shlomo. The Tent of Meeting and the Ark,9This is in accordance with Rashi in 1:1 above that Shlomo refers to God, thus “the bed of Shlomo” refers to the resting place of the Divine Presence. which they carried in the wilderness.
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Ezra ben Solomon on Song of Songs
Now for the answer to the question: This is Solomon’s couch: Of the name of the Holy One, blessed be He.
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Rashi on Song of Songs
Sixty mighty men are around it. Sixty myriads surround it.
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Ezra ben Solomon on Song of Songs
Encircled by sixty warriors: The verse designates sixty corresponding to the six directions.86The six sefirot from ḥesed to yesod. The ten sefirot are reflected in each of them. Since the seventh is an intermediate boundary, a spiritual entity upholding them all, and from it all things derive nurturance, it is not included in the sum, as we will explain further on. The verse designates them as warriors as they receive their being from the side of divine justice. And it enquires further over what they are appointed—over justice.
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Rashi on Song of Songs
Of the mighty men of Yisroel. Of those who went into the army, excluding those under twenty and those over sixty.
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Rashi on Song of Songs
Skilled in battle. The battle of Torah, and likewise, the kohanim who surround it, who camp around the Tabernacle, are skilled in the order of their service.
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Ezra ben Solomon on Song of Songs
All of this constitutes the context of the parable, as we explained earlier in the introduction to the text. As a similar example we find: “From the mouths of infants and sucklings you have founded strength on account of Your foes, to put an end to enemy and avenger” [Ps. 8:3]. And “Mighty king who loves equity” [Ps. 99:4].
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Rashi on Song of Songs
Each with his sword. His weapons are the Masorah [i.e., tradition] and the mnemonics, by which they preserve the correct version and the traditional rendition, so that it will not be forgotten.
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Ezra ben Solomon on Song of Songs
Because of terror by night: The Sages said: “from the terror of hell which is likened to night.”87Midrash Yalkut Shim ‘oni ad locum. This is said in truth for it is from night (divine Justice) that the shekhinah receives her emanation. The text begins to set forth the hierarchy of emanation.
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Rashi on Song of Songs
For fear of the nights. For if they forget it, and troubles will befall them. And similarly it states, “Arm yourselves with the grain lest He become angry and you lose the way.”10I.e., study the Torah.
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Rashi on Song of Songs
A canopy has [King Shlomo] made. This refers to the Tent of Meeting, which was established in the Tabernacle at Shiloh; He made for Himself a crowning canopy for [His] glory.
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Ezra ben Solomon on Song of Songs
Behold King Solomon made for himself a palanquin. From the outpouring of Wisdom and its luminescence, He radiated light, and from it drew forth emanation. Concerning this it states in Genesis Rabbah [3:4]: “Whence was the light created? The Holy One, blessed be He, enwrapped Himself as in a robe, and radiated His luster from one end of the world to the other.” The robe designates the invocation of the emanation of wisdom which encompasses the totality of all things. The act of enwrapping conveys that He received radiance from that emanational outflow and literally sparked forth light. This is furthermore the opinion of Rabbi Eliezer the Great who said:
Whence were the heavens created? He took from the light of His garment; He wrapped Himself as in a robe. The light extended outwards, as it says: “wrapped in a robe of light, You spread the heavens like a tent cloth” [Ps. 104:2]. Whence was the earth created? God took hold of some of the snow underlying the Throne of Glory and cast it downwards. As it says: “He commands the snow: ‘Fall to the ground!’” [Job 37:6].88Pirkei deRabbi Eliezer, 3. Havei aretz, “fall to the ground,” means literally “become ground.”
This accords with the opinion of Plato, who argued that it was vain to believe that the Creator created something from nothing, but rather there was a preexistent matter. This is not the same as clay in the potter’s hands or the smith’s iron, who shape from them whatsoever they desire, so that the Creator, be He praised, shaped heaven and earth from primordial matter, but sometime might create something else of it. That God does not create something from nothing should not be considered a diminution of His power, just as there is no diminution in His inability to create logically impossible entities, such as a square whose diagonal is equal to its side or the simultaneous conjunction of two opposites. Just as in these cases, there is no diminution in His capacity, so too there is no denigration if He does not emanate something from nothing, but rather uses a primal element. For this too is included in the general category of impossibility. Solomon too spoke of this, revealing lucid wisdom and sound reasoning, through the aegis of the holy spirit of prophecy.
Whence were the heavens created? He took from the light of His garment; He wrapped Himself as in a robe. The light extended outwards, as it says: “wrapped in a robe of light, You spread the heavens like a tent cloth” [Ps. 104:2]. Whence was the earth created? God took hold of some of the snow underlying the Throne of Glory and cast it downwards. As it says: “He commands the snow: ‘Fall to the ground!’” [Job 37:6].88Pirkei deRabbi Eliezer, 3. Havei aretz, “fall to the ground,” means literally “become ground.”
This accords with the opinion of Plato, who argued that it was vain to believe that the Creator created something from nothing, but rather there was a preexistent matter. This is not the same as clay in the potter’s hands or the smith’s iron, who shape from them whatsoever they desire, so that the Creator, be He praised, shaped heaven and earth from primordial matter, but sometime might create something else of it. That God does not create something from nothing should not be considered a diminution of His power, just as there is no diminution in His inability to create logically impossible entities, such as a square whose diagonal is equal to its side or the simultaneous conjunction of two opposites. Just as in these cases, there is no diminution in His capacity, so too there is no denigration if He does not emanate something from nothing, but rather uses a primal element. For this too is included in the general category of impossibility. Solomon too spoke of this, revealing lucid wisdom and sound reasoning, through the aegis of the holy spirit of prophecy.
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Ezra ben Solomon on Song of Songs
Of wood from Lebanon: Thence originates the emanation of all, including the [sefirotic] existences. [There] emanation began, as our sages say: “‘Let there be light and there was light.’ Not ‘then there was light,’ but ‘there was light’—light which already existed.”89Gen. Rabbah 3:2. For it was already emanated from the supernal light which existed in the transcendent potentiality.
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Rashi on Song of Songs
Its covering. His resting place and His dwelling were on the Ark cover, which is gold.11See Shemos 25:17, 22.
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Ezra ben Solomon on Song of Songs
He made its posts of silver: This is the “right hand” of the Holy One, blessed be He, which the Book of Creation [2:1] designates as the “scale of merit.”
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Rashi on Song of Songs
Its curtain of purple wool. This is the dividing curtain,12Separating the “Holy Place” from the “Holy of Holies,” See Shemos 26:31,33. which hangs and “rides” on poles from pillar to pillar.
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Ezra ben Solomon on Song of Songs
Its back of gold: This is the left hand, designated “the scale of guilt.”90Ms. reading is quite different here: the right hand is “water from air,” the left is “fire.” The central pillar is “truth, justice, peace, seal of the structure, the seal of God.”
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Rashi on Song of Songs
Its interior bedecked. It was arranged with a floor [displaying] love;13Alternatively, “its interior filled with burning love.” In Yeshayahu 6:6, “רצפה” means “burning coal.” (Tzror Hamor) the Ark and its cover, cherubim and Tablets.
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Ezra ben Solomon on Song of Songs
Its seat of purple wool: This is the central pillar designated as the central “tongue of the statute” mediating between them. So our Sages say: “‘Upon this semblance of a throne, there was the semblance of a human form’ [Ezek. 1:26]. It was designated as purple,”91In Numbers Rabbah 12:4? for just as purple wool is woven out of many types of colors, so too the central pillar receives from this one and that. And so it states: “like the appearance of the bow in the cloud was the appearance of the likeness of the Glory of God” [Ezek. 1:28].
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Rashi on Song of Songs
From the daughters of Yerusholayim. These are the [Bnei] Yisroel, who fear and are wholehearted toward the Holy One, Blessed Is He.
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Ezra ben Solomon on Song of Songs
Within, it was decked with love: This is the shekhinah.
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Ezra ben Solomon on Song of Songs
By the maidens of Jerusalem: The Central Column. This is the meaning of “a man’s wife,” concerning which the prophet said (of those men who brought home foreign wives): “Has not one done this out of excess of spirit? What does one seek but godly seed?” [Mal. 2:15].92The obscure passage seems to mean that shekhinah is wife to the Central Column, source of godly seed; so too should Israel, husbands and wives, bear godly seed.
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Rashi on Song of Songs
Daughters of Tzion. Children who are distinguished מְצוּיָנִים=צֻיָּן as His, through circumcision, phylacteries, and ritual fringes. Upon the crown
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Ezra ben Solomon on Song of Songs
King Solomon: The king of peace.
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Rashi on Song of Songs
with which his mother adorned him. The Tent of Meeting, which was adorned with hues of blue, purple, and scarlet. Rabbi Nechunya said, “Rabbi Shimon son of Yochai asked Rabbi Elazar the son of Rabbi Yose, ‘Perhaps you heard from your father what is meaning of “upon the crown with which his mother adorned him”?’ He replied, “This is a parable of a king who had an only daughter of whom he was very fond. He could not stop loving her until he called her “my daughter,” as it is stated, “listen daughter and see.”14Tehillim 45:11. He could not stop loving her until he called her “my sister,” as it is stated, “Open for me, my sister, my love.”15Below 5:2. He could not stop loving her until he called her “my mother,” as it is stated, “Listen to Me, My people, and My nation וּלְאֻמִּי give ear to Me.”16Yeshayahu 51:4. “וּלְאֻמִּי” is written [without a vav and can be read as “וּלְאִמִּי” “and to my mother”]. Thereupon Rabbi Shimon son Yochai stood up and kissed him on his head, etc.
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Ezra ben Solomon on Song of Songs
The crown with which his mother crowned him on his wedding day: The entire sefirotic edifice coheres and is unified and ascends towards infinity, nor does it suffer a departure of the holy spirit. The crown stands for the emanation of blessing and superabundance from the spirit of the living God designated as the mother in the Midrash to Proverbs,93Midrash Mishle, ed. B. Wissocsky, p. 57. in the Rabbis’ exegesis of “May your father and mother rejoice” [Prov. 23:25]. Rabbi Akiba states: “Even the Holy One, blessed be He, rejoiced in him, as Wisdom rejoiced in him. As it says: ‘Let your father rejoice’: this is the Holy One, blessed be He. ‘And your mother’: this is that wise woman of whom it is written: ‘You shall call understanding a mother’ [Prov. 2:3].” Consequently, blessing, sanctification and unification which draw energy from the negation of thought are designated as the diadem and crown. Our sages say in the Midrash to Psalms [19:2]: “The angel assigned to Israel’s prayers waits until her final congregation has prayed and weaves them into a crown for the Holy One. As it says: ‘Blessings alight upon the head of the righteous, the life of all worlds’ [Prov. 10:6].” For this reason, the sages ordained the Sanctus and blessing within the blessings attached to the recitation of the shema, and placed the unification of shema in close proximity to them. And they ordained that all three94Sanctification [kadosh], blessing [barukh], and shema‘. should be recited in the great Sanctus of the Additional Prayer. For these three enter under the rubric of the unity of divine Wisdom, Understanding and Knowledge, the emanational edifice containing the seven (lower) sefirot. Because all of the ten sefirot are included within the (upper) three: Wisdom, Knowledge, and Understanding, the three recitations of the Sanctus95This could refer either to the threefold repetition of “Holy” or to the three kedushot of the daily morning service. exist to unify them. Within their totality, all things are included. So we have found in the Chapters of Rabbi Eliezer:96Chapter 3, end. “The world was created with ten statements but these were included in three. As it says: ‘God established the earth in wisdom, founded the heavens in understanding, through His knowledge the depths were split and the heavens shower dew’ [Prov. 3:19].”
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Rashi on Song of Songs
On the day of his wedding. The day of the giving of the Torah,17See Mishnayos Ta’anis 4:8. when they crowned Him as their King and accepted His yoke.
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Rashi on Song of Songs
And on the day his heart rejoiced. This is the eighth day of the installation,18See Vayikra 9:1. on which the Tabernacle was dedicated in the wilderness.
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